Jupiter Coyote & Cravin’ Melon w/ Old Habits

Jupiter Coyote:

In the course of their 27-year history, Jupiter Coyote has played over five thousand shows, traveled everywhere and done just about everything a touring band can do. The innovative group has independently sold close to a million CDs, tens of thousands of downloads, and who knows how many bootlegs they cut loose to fans for free. JC is brand name, and a pioneering cornerstone in the jam band scene. They have been called the new twist in southern rock and they deliver it with a relaxed, worldly view. Their sound has been labeled “Mountain Rock” — a mixture of Southern Appalachian boogie, bluegrass-infused, funk-rock. JC plays it the way they feel it — with little regard as to where they fall between the cracks of what is considered trendy and fashionable. A band prolific in its writing, skilled in its musicianship and congenial in its nature, they remain the prototype of the truly independent band. They handle all business in-house and own their own record label, which is distributed internationally through Red Eye Worldwide. Coyote has shared the stage with The Allman Brothers Band, Dave Matthews, Widespread Panic, String Cheese, The Radiators and Kansas just to name a few.   Most recently, long-time JC sidekick John Meyer was added on lead guitar. Meyer is also the person who came up with the name Jupiter Coyote back when the band was first starting in Macon, Ga. There is no band that really sounds like Jupiter Coyote. They have a guijo (banjo neck, Stratocaster body) an incredible fiddle player, and two fantastic slide guitar players.check out: www.jupitercoyote.com.

 

Cravin’ Melon was formed at Clemson University in 1994 after the dissolution of two other local South Carolina bands, Doghouse and The Next Move.^[1] The band gained popularity on the regional live scene, and after a self-pressed EP and full-length, they signed to Mercury Records and released Red Clay Harvest, in 1997. The album spawned a minor radio hit, “Come Undone”, which peaked at #37 on Billboard‘s Mainstream Rock chart.^[2] The band’s style and geographical roots prompted frequent comparisons to contemporaries and tourmates Hootie & the Blowfish and Edwin McCain.^[3]